True, the national service both Barack Obama and John McCain promise doesn't really resemble old-style military conscription -- although there have been calls to reinstate exactly that. Instead, the two presidential contenders envision sort of an expanded AmeriCorps -- bureaucratized volunteerism for every job the government wants done on the cheap -- with young people encouraged to participate through a combination of bribes, such as tax credits, and social pressure to conform. But some high schools are already requiring community service as a condition of graduation, and Obama's website says he wants to "require hours of service in college. It's easy to see how the "voluntary" national service of next year could become the expected-as-a-condition-of-a-diploma labor for the state of five years from now.
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Short stories, English—History and criticism—Encyclopedias. Companion to the British short story. Facts on File, Inc. The book maps out some of the main strands that have shaped the British short story and novella since the early 19th century.
It provides up-todate discussions of key stories and story collections as well as discussions of the careers of all the most widely studied exponents of the genre—for example, James Joyce, Joseph Conrad, Katherine Mansfield, D.
In selecting the stories and writers to cover in this volume, the editor has combed through popular anthologies and literature textbooks, in both the United States and Great Britain.
Furthermore, this book also aims to help students and readers whose interests are taking them beyond the classroom and who want to find out more about the British short story as it is being written today. Therefore, it also contains discussions of younger writers whose bold experiments with the short story have started to make an impact on the literary scene: Byatt has put it Instead—and appropriately for the 21st century—the book recognizes the deeper political and cultural dimensions of the terms English, Irish, Welsh, and Scottish and what it means to be British, distinctions that are usefully illuminated by the contributors here.
To include these writers is to use the term British in a fairly expansive, rather than proprietorial, way. It is done on the basis that these are writers who, for some years, lived and made a considerable part of their careers on the British mainland and whose work can partly be read as coming out of, or throwing light on, various elements of the British short story, its development, and its scope.
The British Empire was a fruitful source for writers at the beginning of the 20th century—Kipling and Maugham in particular—who can never be disregarded. Now British literature has a postcolonial dimension, made up of an assortment of different global voices and progenies that make up a multicultural body of literature.
These authors look back to the early 20th century and also forward, bringing a non-European cultural awareness to the confines of British fiction. One of the reasons that this volume has been published now is that the time is right for a fresh look at the British short story.
In the United Kingdom, the form is enjoying a revival in its fortunes. It is, moreover, a form in which many of the leading British fiction writers of the past 20 years have revealed particular talents. The discussions that occupy these and other short story sites, plus a browse among bookstore shelves and the Web pages of Amazon.
In new collections appeared of work by two colorful but overlooked exponents of the s and s short story: A new magazine, Prospect, gives a proportion of its space to short story writers, and in August in a move toward on-line publishing, Amazon.
I use the term renaissance because one of the issues I want to consider in this introduction is the historiography of the British short story and its critical fortunes. What does the short story mean to us?The year-old righty has given up zero runs in five of his last seven starts, lowering his ERA to â second in the American League to Felix Hernandez ().
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